COLOR
Since the dawn of computing 40 years ago, color has pretty much worked the same: adjust three sliders to specify red, green, and blue. It’s forced us to work with color the way a machine would understand it, not how humans intuit or painters know best. It’s something that has bugged us to no end.
Today, as part of Paper, FiftyThree is introducing a more intuitive and beautiful way to work with color. It’s color made for humans. It’s color that is visceral. Expressive. Fun.
I could not be more thrilled about this. We worked on this new color model for almost a year. Insights came from research articles from the 1930s, having a developer/painter like Matthew Chen on the team, hundreds of prototypes, and finding the magic between art and science.
Sometimes the most beautiful colors are found between the shades.
This post has 17 notes.
-
mariacsanchez likes this
-
kennycruzer reblogged this from georgp
-
cassyopeia likes this
-
andydoesablog reblogged this from georgp
-
thestrangeattractor reblogged this from riq-maq
-
riq-maq likes this
-
thepaperlab likes this
-
mischa-on-paper likes this
-
sylvialynch likes this
-
archphotog likes this
-
claudioboccardo likes this
-
georgp likes this
-
falleri reblogged this from georgp and added:
I usually don’t reblog stuff, but this is...daily basis for my project and I love
-
falleri likes this
-
bethanycknowles likes this
-
amyblogschow likes this
-
georgp posted this
